10 Ancient Paintings That Show Modern Technology
Here's a look at 10 real ancient paintings that many people claim resemble modern technology, along with the historical context behind each one.
- Chris Graciano
- 6 min read
Across different cultures and time periods, artists created images that appear to show objects resembling modern technology, even though they were painting centuries before electricity, engines, or aviation existed. These works often spark debates because their shapes, symbols, or glowing forms look like spacecraft, submarines, batteries, antennas, or flying machines to modern eyes conditioned by advanced technology. While historians generally interpret these features as symbolism, mythology, or artistic exaggeration, the fascination remains strong because these paintings show how imagination, religion, and observation could produce images that feel surprisingly futuristic today, leading many to wonder whether ancient people glimpsed rare natural phenomena or simply envisioned realities far beyond their time.
1. 1. “The Baptism of Christ” (1710) – Aert de Gelder

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This painting famously shows a bright, disc-shaped object beaming light down onto Christ, which many modern viewers compare to a glowing UFO hovering above a holy event. Art historians argue the radiant disk represents divine presence rather than a spacecraft, but the shape’s symmetry and spotlight-like beam undeniably resemble modern depictions of aerial craft shining down with focused illumination. The painting’s atmosphere contributes to its mystery, with a cloudy sky opening dramatically and onlookers gazing upward as if witnessing an extraordinary event. The unusual lighting, combined with the artist’s bold interpretation of divine intervention, continues to drive speculation that de Gelder unintentionally painted something that looks remarkably similar to contemporary images of unidentified aerial phenomena.
2. 2. “The Annunciation with Saint Emidius” (1486) – Carlo Crivelli

National Gallery on Wikimedia Commons
Crivelli’s painting includes a circular, metallic-looking object in the sky emitting a thin, direct beam of light toward Mary’s head, sparking claims that it resembles an artificial device projecting energy. Art scholars assert that the object symbolizes the Holy Spirit, yet its structured shape, layered rings, and segmented design look almost engineered by modern standards. The long, laser-like beam appears unusually precise for a Renaissance-era depiction of divine light, which usually appears diffuse rather than sharply focused. Its combination of geometric contours and targeted illumination gives the painting an uncanny resemblance to modern interpretations of aerial technology.
3. 3. “Madonna and Child with the Infant Saint John” (15th century, Florence)

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In the background of this painting, a man and a dog stare upward at a glowing, oval-shaped object floating in the sky, which has led some viewers to interpret it as a hovering craft. Art historians insist it symbolizes angelic presence, but the oval’s smooth edges, central bright spot, and radiant tail-like streak make it look strangely like a modern aircraft or drone. The deliberate inclusion of a human witness gazing directly at it adds to the sense that the artist wanted viewers to notice this mysterious object. Its placement creates an unsettling ambiguity between sacred symbolism and something that resembles technology hundreds of years ahead of its time.
4. 4. “The Crucifixion of Christ” (1350) – Visoki Dečani Monastery

National Library of Wales on Wikimedia Commons
This fresco shows two strange, pod-shaped flying objects positioned on each side of the cross, each containing a human-like figure appearing to steer or ride inside them. Scholars explain these figures as allegorical representations of the sun and moon, but their enclosed structures, curved frames, and directional lines look remarkably similar to cockpit-based craft. The figures even appear to be seated, controlling their vessels in a way that feels eerily modern. This unusual imagery continues to fascinate viewers because it seems to depict people piloting advanced vehicles centuries before mechanical flight.
5. 5. “Glorification of the Eucharist” (1600s) – Ventura Salimbeni

Wikimedia Commons
This painting features a large, metallic-looking sphere in the center of the image, complete with what appear to be antenna-like rods, dials, and a central axis reminiscent of a satellite. Art historians argue it represents the “celestial globe,” but its mechanical details and structured components resemble modern communication devices far more than symbolic cosmology. The rods extending from the sphere look like modern telescopic antennas used for transmitting or receiving signals. Because of this uncanny resemblance, the painting has been repeatedly cited in discussions about ancient or pre-technological depictions of advanced machinery.
6. 6. Ajanta Cave Paintings (2nd century BCE–480 CE) – India

Dharma on Wikimedia Commons
Several murals from the Ajanta caves depict ornate flying palaces called “Vimanas,” which appear as structured, multi-layered airborne vehicles with platforms, domes, and supporting columns. While historians view these as mythological representations of divine transportation, their architectural symmetry and mechanical-like details evoke the design of engineered flight craft. The imagery includes throne rooms within airborne structures, suggesting the concept of interior compartments similar to modern aircraft cabins. These murals show how ancient imagination could generate visions of flight that look surprisingly close to futuristic machines.
7. 7. Tassili n’Ajjer Cave Art (6000–7000 years old) – Algeria

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Some figures in the Tassili cave paintings appear to wear large helmets or rounded suits, sparking speculation that they resemble astronauts with protective gear. Archaeologists typically interpret these as ceremonial masks or stylized spirits, yet their bulbous head coverings and body shapes create a mechanical, almost technological silhouette. The humanoid proportions, combined with rigid-looking outlines, create a sense of uniformity rather than organic attire. These features continue to inspire debate about how ancient peoples conceptualized supernatural beings long before modern representations of space travel existed.
8. 8. “Visitation” (1486) – Jacopo del Sellaio

Sailko on Wikimedia Commons
In the sky above the main scene, a small disc-like object emits rays of light that resemble beams shining downward, echoing modern interpretations of spotlight-equipped craft. Art historians explain it as a symbolic representation of divine action, but the disk’s smooth metallic surface and directional rays carry an oddly technological flavor. Its placement behind clouds adds to the illusion of altitude and movement, similar to how aerial objects are depicted in modern illustrations. The combination of lighting effects and geometric form makes it one of the more convincing “modern-looking” symbols in Renaissance art.
9. 9. “Summer’s Triumph” (1538) – Belgian Tapestry

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This tapestry displays several curious objects in the sky that resemble hat-shaped discs or domes floating above a grand procession, creating an atmosphere that feels strangely modern for a 16th-century work. Scholars usually argue that these forms are stylized clouds or symbolic decorations, yet their layered rims, precise outlines, and careful shading make them appear more like structured, crafted objects than natural sky elements. Their repeated shapes and consistent proportions give the impression of manufactured designs, as if the artist intended intentional uniformity rather than random cloud formations. Because of these unusual details, the tapestry is frequently referenced in discussions about ancient art that seems to portray technology far ahead of its time, fueling ongoing debates about what the artist may have witnessed or imagined.
10. 10. “Saint Wolfgang and the Devil” (1475)

Wikimedia Commons
In this painting, the devil hands Saint Wolfgang a strange, black box-like object that many claim resembles a handheld machine or a portable device. Art historians interpret the black object as a symbolic tool representing deception or corrupted knowledge, but its rectangular shape and flat surfaces look surprisingly similar to a modern electronic gadget. Its structure appears too precise and too engineered compared to typical symbolic items of the period. This unexpected resemblance continues to prompt questions about how artists sometimes created objects that feel strikingly ahead of their time.